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The Swiss cellist Estelle Revaz discovers the retrospective at the Fondation Pierre Gianadda and expresses her emotions in front of the artist’s works. She subtly rediscovers the links between music and painting, instinctively understanding the creative process of the artist who worked in his studio listening to classical music (Puccini, Mozart, Bach) or more contemporary musicians (Boulez, Varèse, Stockhausen).